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A Taste of the Valleys in the Dales |
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‘The best of all worlds’ Finding
a concert harp that’s
light, portable and affordable has always involved a compromise
with sound quality, or use of inferior materials such as nylon
strings, plywood soundboards etc. - until now. Malvern 47 - Extended Sound Board £10,730.00
(including VAT) Try the Malvern Harp at: Click headings below for further info or to buy Click here for details of finishes
David Watkins playing variations of Silent Night by Simon Wright on a Malvern Harp during a concert at Hammerwood Park in December 2008 Harpz member Laura
Rose Gee aged 9 came 2nd in the Under 12 Harp solo
at the Urdd National Eisteddfod Cardiff Bay 2009 playing
on a Malvern Pedal Harp - congratulations
Laura! To watch Laura play please follow this link: Launched in 2007, The Malvern, named in honour of Edward Elgar (whose 150th anniversary was celebrated the same year), combines the traditional qualities of a hand-built instrument with all the reliability & precision expected of a modern concert harp. Extensive research on harp acoustics; careful use of carbon fibre technology in key areas; mechanism plates that won’t tarnish and fitted with gold-plated discs, bridge-pins and forks; our own special bell-metal cast soundbox ribs and the finest precision craftsmanship has resulted in a harp with increased strength, reliability and quality of sound, but reduced weight and cost. "The finest pedal
harp that has ever been made in Britain. It is much lighter than
most concert harps and, this combined with an original body construction,
has a range of sonority and dynamic that is quite remarkable.
It's easy to play, has a smooth pedal action and is light to
transport."
Professor David Watkins (Helen Naylor's Mentor) I have had the greatest pleasure playing the new Malvern Harp. Beautifully made, as all the original instruments designed by Pilgrim Harps, it is the finest pedal harp that has ever been made in Britain. It is much lighter than most concert harps and, this combined with an original body construction, has a range of sonority and dynamic that is quite remarkable. It ‘sings’ in a way that cannot be achieved on any contemporary instrument and its range makes it suitable for all styles of music. It’s wonderful to have at last, an instrument that is easy to play, has a smooth pedal action and is light to transport. All professional harpists should consider it as a second instrument, however I have a feeling that it could well become their FIRST!
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